{"id":368766,"date":"2025-09-09T21:32:00","date_gmt":"2025-09-09T19:32:00","guid":{"rendered":"https:\/\/germany.10magazine.com\/?p=368766"},"modified":"2025-09-09T22:04:26","modified_gmt":"2025-09-09T20:04:26","slug":"10-things-to-see-during-berlin-art-week-2025","status":"publish","type":"post","link":"https:\/\/germany.backup10mag.indevmode.co.uk\/de\/10-things-to-see-during-berlin-art-week-2025\/","title":{"rendered":"10 Things to see during Berlin Art Week 2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><span style=\"font-weight: 400;\">At <a href=\"https:\/\/berlinartweek.de\/\" target=\"_blank\" rel=\"noopener\">Berlin Art Week 2025<\/a>, taking place 10 \u2013 14 September, <\/span><span style=\"font-weight: 400;\">gallery wanderers are set to discover reflections on the current contentious state of culture, politics and economics alongside intimate examinations of the intricacies of what it means to be human.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From painterly abstractions of the everyday and representations of the surreal depths of self-exploration, to courtroom theatre and queer legacy, we\u2019ve selected the shows and performances you don\u2019t want to miss this September.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1800\" height=\"1350\" src=\"https:\/\/germany.backup10mag.indevmode.co.uk\/wp-content\/uploads\/2025\/09\/IssyWood-CI-IW-1888-1.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><em>Image credit: Issy Wood, Lobotomy goals study, 2025. Oil on linen. 92.5 x 92.5 x 5 cm<span style=\"font-weight: 400;\"><br \/>\n<\/span><\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><b>Issy Wood\u2019s <\/b><b><i>Magic Bullet<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/www.schinkelpavillon.de\/exhibition\/issy-wood-magic-bullet\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Schinkel Pavillon<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/www.google.com\/maps\/place\/\/data=!4m2!3m1!1s0x47a851dbf876e1e9:0x7a6f447fe647c659?sa=X&amp;ved=1t:8290&amp;ictx=111\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Oberwallstra\u00dfe 32<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Dates: 11 September 2025 \u2013 31 January 2026<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Schinkel Pavillon is known for its haunting, otherworldly and supernatural art offerings. In <\/span><i><span style=\"font-weight: 400;\">Magic Bullet<\/span><\/i><span style=\"font-weight: 400;\"> \u2013 British artist Issy Wood\u2019s first large-scale solo exhibition in Germany \u2014 never-before-seen works respond to the unique architecture and energy of the building while speaking to personal experiences.<\/span><\/p>\n<p><b>Tiona Nekkia McClodden and Millie Wilson\u2019s <\/b><b><i>Lesbian Legacies #2 Archive Affections<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/scherben.in\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Scherben<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/maps.app.goo.gl\/f1Bxx3DqigipsGJbA\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Leipziger Stra\u00dfe 61<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Dates: 11 September \u2013 19 October 2025<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Archive Affections<\/span><\/i><span style=\"font-weight: 400;\">, is the highly anticipated second exhibition in the <\/span><i><span style=\"font-weight: 400;\">Lesbian Legacies<\/span><\/i><span style=\"font-weight: 400;\"> series. It brings together works by US artists Tiona Nekkia McClodden Millie Wilson as they explore \u201cqueer memory politics, lesbian historiography and institutional critique\u201d through creative dialogue.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1800\" height=\"1006\" src=\"https:\/\/germany.backup10mag.indevmode.co.uk\/wp-content\/uploads\/2025\/09\/LAS-Art-Foundation-or-Christelle-Oyiri-Hauntology-of-an-OG-or-1.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><em>Image credit: Christelle Oyiri and Neva Wireko, Hauntology of an OG, video still, 2025. Courtesy the artists, LAS Art Foundation, Amant, and Pinault Collection. \u00a9 Christelle Oyiri and Neva Wireko.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><b>Christelle Oyiri\u2019s <\/b><b><i>Dead God Flow<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/www.las-art.foundation\/programme\/dead-god-flow\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">LAS Art Foundation @ Cank<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/www.google.com\/maps\/place\/\/data=!4m2!3m1!1s0x47a84f0075e2c1a3:0x5b87be01a9a7fca5?sa=X&amp;ved=1t:8290&amp;ictx=111\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Karl-Marx-Stra\u00dfe 95<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Dates: 11 September \u2013 19 October 2025<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Head to Neuk\u00f6lln\u2019s former department store-turned culture hub Cank for LAS Art Foundation\u2019s latest project: a newly commissioned audio-visual installation by artist, DJ and producer <\/span><a href=\"https:\/\/www.instagram.com\/crystallmess\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Christelle Oyiri<\/span><\/a><span style=\"font-weight: 400;\">. Prepare to lose yourself in an audiovisual environment that harnesses the alchemy of video, sound and spatial design to <\/span>explore how imagined futures influence identity.<\/p>\n<p><b>Henni Alftan\u2019s <\/b><b><i>By the Skin of My Teeth<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/spruethmagers.com\/exhibitions\/henni-alftan-by-the-skin-of-my-teeth-berlin\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Spr\u00fcth Magers<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/www.google.com\/maps\/place\/\/data=!4m2!3m1!1s0x47a851e708db9b15:0x9898703c76674cb7?sa=X&amp;ved=1t:8290&amp;ictx=111\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Oranienburger Stra\u00dfe 18<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Dates: 12 September \u2013 25 October 25 2025<\/span><\/p>\n<p><span style=\"font-weight: 400;\">During Berlin Art Week, 10 favourite Spr\u00fcth Magers will open a new solo exhibition by visual artist and narrator of everyday life <\/span><a href=\"https:\/\/www.instagram.com\/hennialftan\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Henni Alftan<\/span><\/a><span style=\"font-weight: 400;\">. Inviting the audience to rediscover the familiar, the show encompasses all-new paintings and the artist\u2019s first-ever presentation of drawings.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1400\" height=\"1120\" src=\"https:\/\/germany.backup10mag.indevmode.co.uk\/wp-content\/uploads\/2025\/09\/Benjamin-Slinger.-Enchanted-Well-Lit-Aspirational-FT-2023.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><em>Image credit: Benjamin Slinger, Enchanted, Well Lit, Aspirational &#8211; FT, 2023.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><b>Group Exhibition <\/b><b><i>Hands Down<\/i><\/b><b>\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/www.instagram.com\/p\/DOJQtZNiFYx\/?utm_source=ig_web_copy_link&amp;igsh=MzRlODBiNWFlZA==\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">\u00c5plus<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Stromstra\u00dfe 38<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Dates: 12 September \u2013 4 October 2025<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Featuring works by <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Nicl Barbro<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Lauren Keely<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Hannes Mussner<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Benjamin Slinger<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Merlin Reichart<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Manu Stehli<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Anna St\u00fcdeli<\/span><\/a><span style=\"font-weight: 400;\">, new group exhibition <\/span><i><span style=\"font-weight: 400;\">Hands Down<\/span><\/i><span style=\"font-weight: 400;\"> sees artists explore the diverse and sometimes contradictory symbolism of the humble hand.<\/span><\/p>\n<p><b>Perform! Joan Jonas: <\/b><b><i>Mirror Piece I &amp; II<\/i><\/b><b> (1969\/2025)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Neue Nationalgalerie<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/1JGFYpaxnqHuEuh5J\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Potsdamer Stra\u00dfe 50<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Dates: 10, 11, 13, 14 September 2025<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We are experiencing a resurgence of performance art in Berlin right now, but to understand its art-world trajectory it is essential to revisit iconic works from the past. First performed by artist Joan Jonas in 1969, <\/span><i><span style=\"font-weight: 400;\">Mirror Piece<\/span><\/i><span style=\"font-weight: 400;\"> is one of the most influential examples of American feminist and conceptual performance art and is credited with redefining the relationships between visual art, performance and gender representation.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1800\" height=\"1350\" src=\"https:\/\/germany.backup10mag.indevmode.co.uk\/wp-content\/uploads\/2025\/09\/Fiorucci-Made-Me-Hardcore-4.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><em>Image credit: Mark Leckey,\u00a0Fiorucci Made Me Hardcore,\u00a01999, DVD, 14\u203230\u2033. Courtesy of the artist and Cabinet, London.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><b>Mark Leckey\u2019s <\/b><b><i>Enter Thru Medieval Wounds<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/jsfoundation.art\/exhibitions\/mark-leckey-enter-thru-medieval-wounds\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Julia Stoschek Foundation<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/3WwkQdNkmS25qnjo9\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Leipziger Stra\u00dfe 60<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Dates: 11 September 2025 \u2013 3 May 2026<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In another showcase of iconic and era-defining work, Julia Stoschek Foundation\u2019s Mark Leckey retrospective <\/span><i><span style=\"font-weight: 400;\">Enter Thru Medieval Wounds<\/span><\/i><span style=\"font-weight: 400;\"> combines key video works from 1999 to 2010 with more recent works, drawing on the influence and profundity of seminal pieces such as the artist\u2019s 1999 portrait of British rave culture <\/span><i><span style=\"font-weight: 400;\">Fiorucci Made Me Hardcore.<\/span><\/i><\/p>\n<p><b>Bogl\u00e1rka B\u00f6rcs\u00f6k &amp; Andreas Bolm\u2019s <\/b><b><i>Subjoyride<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/sophiensaele.com\/en\/stueck\/subjoyride\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Sophiens\u00e6le<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/78Vv3eHkHgn2eJnXs\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Sophienstra\u00dfe 18<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Dates: 10, 11, 12, 13 September 202<\/span><span style=\"font-weight: 400;\">5<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A collaboration between Berlin-based choreographer and performer Bogl\u00e1rka B\u00f6rcs\u00f6k and filmmaker and artist Andreas Bolm, performative work <\/span><i><span style=\"font-weight: 400;\">Subjoyride<\/span><\/i><span style=\"font-weight: 400;\"> is an invitation to \u201cengage in a corporeal dialogue\u201d with the work of the German Dadaist Baroness Elsa von Freytag-Loringhoven, who lived between 1874 and 1927. Expect unexpected explorations of\u00a0 the Baroness\u2019s complex and creative eccentricities, spanning poetry, performance and sculpture.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left wpb_content_element\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" width=\"1800\" height=\"1161\" src=\"https:\/\/germany.backup10mag.indevmode.co.uk\/wp-content\/uploads\/2025\/09\/Selin-Davasse-Corpus-Iuris-Artis_-I.-The-Deposition-curated-by-soft-power-at-Mouches-Volantes-Cologne-2025.-Photo_-Dirk-Rose.jpg\" class=\"vc_single_image-img attachment-full\" alt=\"\" title=\"\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><em>Image credit: Selin Davasse, Corpus Iuris Artis: I. The Deposition, curated by soft power at Mouches Volantes, Cologne, 2025. Photo: Dirk Rose.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><b>Group Exhibition <\/b><b><i>Lichtaus Lichtan<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/stiftung-stmatthaeus.de\/ausstellungen\/lichtan-lichtaus\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">St. Matth\u00e4us-Kirche<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/004VdB63jTAvSecoi\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Matth\u00e4ikirchplatz<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Dates: 12 September 2025 \u2013 4 January 2026<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Featuring the work of artists Vit\u00f3ria Cribb, Doku, Lukas Heerich, Leiko Ikemura, Ju Young Kim, Isa Melsheimer, Kristina Nagel, Norbert Schwontkowski, Minh Lan Tran, Nicole Wermers, Wendi Yan and Guan Xiao, group show <\/span><i><span style=\"font-weight: 400;\">Lichtaus Lichta<\/span><\/i><span style=\"font-weight: 400;\">n is anchored in ideas of \u201cthe in-between, of being on the move and of transfer spaces: phases and places of transition, spaces that are not conceived as final destinations, but as intermediate stations and episodes of waiting, reflection and change\u201d.<\/span><\/p>\n<p><b>Selin Davasse\u2019s <\/b><b><i>Corpus Iuris Artis: III. The Appeal<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">Location: <\/span><a href=\"https:\/\/picklebar.berlin\/selin-davasse,corpus-iuris-artis-iii-the-appeal,-13-september-2025,-moot-court-at-amstgericht\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Amtsgericht Mitte<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/share.google\/k8RZ8NH1DoIxjq7D3\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Littenstra\u00dfe 12\u201317<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Date: 13 September 2025<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With <\/span><i><span style=\"font-weight: 400;\">Corpus Iuris Artis<\/span><\/i><span style=\"font-weight: 400;\">, artist <\/span><a href=\"https:\/\/www.instagram.com\/radicalized_faghag\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Selin Davasse<\/span><\/a><span style=\"font-weight: 400;\"> presents a three-part exhibition that reimagines the art world as a courtroom, using the performance-based format of the work to address questions of ethics, power and representation within it. As part of the Pickle Bar-commissioned series <\/span><i><span style=\"font-weight: 400;\">She-Wailers<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Corpus Iuris Artis: III.The Appeal <\/span><\/i><span style=\"font-weight: 400;\">plays out the proceedings of an imaginary Court of Appeals within the walls of a real courthouse.<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 32px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p><em>Header image credit: Henni Alftan, Flood, 2025. Oil on linen. 150 x 300 cm \u00a9 Henni Alftan. Courtesy the artist, Spr\u00fcth Magers and Karma. Photo: Aur\u00e9lien Mole.<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>10\u2019s Arts Editor Milly Burroughs shares her top picks for Berlin\u2019s first city-wide art event of the year<\/p>\n<p>Artefacts of the German art landscape have made headlines around the world in recent months, from Nan Goldin\u2019s commanding critique of institutional censorship and the Berlin government&#8217;s crippling culture funding cuts, to Anne Imhof\u2019s critically-debated but undeniably impactful presence in New York City.<\/p>\n<p>Die 21. Ausgabe des Gallery Weekend Berlin, das vom 2. bis 4. Mai mit Hunderten von Ausstellungen und Veranstaltungen im und au\u00dferhalb des Programms stattfindet, n\u00e4hert sich mit gro\u00dfen Schritten.<\/p>\n<p>You can find details of the official programme here, but definitely don\u2019t miss out on off-programme favourites such as Sellerie Weekend, which champion emerging artists and DIY projects concurrently. Here are 10 must-see shows you should know about.<\/p>","protected":false},"author":1470,"featured_media":414755,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_wpscppro_dont_share_socialmedia":null,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"","_google_business_share_type":"","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"today","timeOption":"now","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":"absolute"},"_wpsp_active_default_template":true},"categories":[65,878],"tags":[1051,1122,1124,1072,1121,1123],"season":[],"class_list":["post-368766","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-culture","tag-art","tag-art-week","tag-artists","tag-berlin","tag-berlin-art-week","tag-exhibitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.7 (Yoast SEO v25.9) - 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